This review is a bit
different than the others. This is review of not only a wonderful performance
but also a trip to Antalya just to experience Brad Mehldau Trio and a
small interview with Brad Mehldau, that I set on missing the İstanbul concert,
which was heard to be cancelled first then decided to be held in Bahçeşehir Cultural
Center on December 1st.
Antalya Piano Festival, which is mainly
concentrated in classical music and good at this, has already caught my
attention with its jazz events. At last, they strongly deserved to be visited
by inviting two very important trios to the festival on their 13th years. It is
evident that they take this festival serious considering performances of Chick
Corea Trio with Christian McBride and Brian Blade on November
28th and Brad Mehldau Trio on December 2nd. I have to say that I am
impressed by the organization, concert hall and the attention of the audience.
It is certainly
necessary to explain Brad Mehldau in detail however we need a dedicated review
for him to achieve this. Thus, to summarize, the famous pianist has been
performing since 1990 and made his best while he was in trio configuration.
Although we see Jorge Rossy as the drummer of the trio until 2005, Jeff
Ballard became a part of the trio later on. Larry Grenadier is with
Brad Mehldau from the beginning with his double bass. The first trio recorded
many great albums in series of Art of The Trio as well as live records. Among
many albums recorded with the new trio, two albums Ode and Where Do
You Start are the ones in which they are touching to the borders of trio
jazz. Besides playing with his trio, Brad Mehldau played solo and took part in
albums and live performances with famous musicians all over the world. The
concerts in İstanbul and Antalya are held
within their international tour after latest release Where Do You Start.
Why did I say international? Because, I care about that such an important band
can give two days to Turkey within their schedule. Surely, I wish Ankara could
manage to overcome the recent recession and invite these musicians, who can
hardly come from USA to Turkey from a long way and we can host them for three
days.
I have seen that almost
all records of Brad Mehldau including even old ones were there at the concert
hall’s waiting room with modest prices. I immediately filled the gaps in my
archive. Antalya Cultural Center is a very suitable place for such performances
in my opinion. The audience is relevant, however more than a jazz audience they
were classical music listeners as far as I have seen.
I can say that the
performance started as pushing. First we have listened to a great arrangement
of Jimi Hendrix’s Hey Joe (composed originally by Billy Robert),
which is treated gently. Brad Mehldau,
Jeff Ballard and Larry Grenadier took part in the performance slowly and consecutively.
Sanctus from Brad Mehldau and Friends from Brian Wilson of
Beach Boys are played after the first piece with no word from the trio.
After these three pieces, Brad Mehldau thanked us and introduced the pieces
played so far and that will be played next. After that, To Hold On or To Let
Go again from Brad Mehldau and Airegin from Sonny Rollins are
performed. Following the last thank and introduction we experienced Since I
Fell for You from Buddy Johnson. It is a real blues ballad with Brad
Mehldau’s words. I think this is the most important performance of the concert.
We held our breaths especially during the part that Brad Mehldau created a
unique artistic piece by transfiguring the main theme while his trio members
were silently watching him. I will never forget the long drum solo achieved by
strong-soft touches and great stick control of Jeff Ballard. It was a memorial
moment that Brad Mehldau sat on his seat in Indian style like he was in
meditation while he was carefully watching his friend during this solo, which
caused many photographs to be taken from the hall. The audience, naturally,
wanted an encore from Brad Mehldau Trio after the concert and rarely played Untitled
is performed lastly by them.
I have taken my place
at the backstage with my questions on my mind and lots of CD covers in my hand
just after the concert. I should thank to the organization that convinced Brad
Mehldau to see me, although he wanted to see nobody after the concert. The
first question was actually a general question that I want to ask any trio
pianist that also plays solo. “In which configuration do you think you can
use your improvisational power better, solo or trio?” Although I am not
fully satisfied with the answer, Brad Mehldau told that he found different good
things in different configurations and felt no difference from perspective of
improvisation. He talked about his happiness on tour with Joshua Redman lately
while I was taking an autograph on a photo of him with Joshua Redman, Christian
McBride and Brian Blade. The second question was about rock music which is
usually used by Brad Mehldau in solo performances as well as in trio. Well,
what was the thing in rock music that drives him to use it in arrangements.
According to Brad Mehldau, rock is not different than any other drivers in his
life, which means rock affects and triggered him for new trials such as many
things he experienced and liked in his past and present life.
As a summary, Brad
Mehldau Trio performed one of the best concerts I have seen so far on December
2nd. I hope this productive band will record many more albums and come to
Turkey again. If they come again and if you have not listened to them yet please
do not miss this time.
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