Showing posts with label Nils Landgren. Show all posts
Showing posts with label Nils Landgren. Show all posts

Monday, 19 November 2012

Nils Landgren Funk Unit 23 Kasım'da İstanbul'da


Aslına bakarsanız, 1992 yılından beri devam eden bu köklü ekibin her yaptığını anlatabilmek için oldukça uzun birkaç yazı yazmam gerekiyor. Özet olarak tutmak istediğim bu yazıda ben sizlere 23 Kasım 2012’da İstanbul Ghetto’da sahne alacak Nils Landgren Funk Unit’in neden Avrupa’nın en önemli funk gruplarından biri olduğunu ve neden onları dinlemeye gitmeniz gerektiğini kısaca anlatmaya çalışacağım.

Nils Landgren Funk Unit grubuna ismini kurucusu ve halen lideri İsveçli ünlü trombon üstadı ve vokalist Nils Landgren veriyor. 1956 yılında doğan Nils Landgren çok küçük yaşta davulla başladığı müzik hayatına klasik trombon ile devam etmiş. 1980 yılından başlayarak İsveçli efsane Bengt-Arne Wallin ve tromboncu Eje Thelin’den etkilenerek doğaçlamaya  yönelmiş ve profesyonel müzik hayatında öncelikle İsveç’in ünlü pop ekiplerinde, sonrasında ise jazz, soul ve folk türlerde birçok farklı albümde yer almış.

1992 yılına gelindiğinde Nils Landgren, Unit adı altında funk türünde performans vermeye başlamış.  Bu ekip Funk Unit olarak 1994 yılında Almanya’nın Salzau şehrinde düzenlenen Jazz Baltica festivalinde boy gösterdiğinde dikkatleri üzerine toplamış ve 1995’te ACT firmasından Live in Stockholm albümünü yayımlamış. (Piyasada rahatlıkla bulabileceğiniz bu albümü kesinlikle dinlemelisiniz!) 1992 yılında Unit adındaki ilk ekipte gördüğümüz  Nils Landgren (trombone, vokal), Henrik Jansson (gitar), Jesper Mejlvang (klavye), Lars DK Danielsson (bas), Per Lindvall (davul) isimlere, 1995 yılındaki ilk albümde Ake Sundqvist (davul, perküsyon ve trompet) ve Jan Ugand eklenmiş. Bu albümde ayrıca konuk sanatçı olarak Maceo Parker ve sonrasında ekibin ayrılmaz üyesi olan Magnum Coltrane Price’ı görmek mümkün.
1997’de Alman Caz Ödülünü alan Paint It Blue, 1999’da basılan Live in Montreux ve 5000 Miles, 2001’de çıkan Fonk Da World albümleri ve bu süre zarfında başta Almanya olmak üzere birçok Avrupa ülkesinde verdikleri sayısız enerji dolu konserle funk ve caz dinleyiciyileri için çok önemli bir grup haline gelmişler. Spiegel 2001 yılındaki turneleri sonrasında onları Avrupa’nın en önemli funk grubu olarak nitelendirmiş. Bu yıllarda çıkan albümlerde Nils Landgren, Esbjörn Svensson ve Magnum Coltrane Price değişmez isimler olarak göze çarpmakla beraber alto saksofonda Per Rusktrask Johansson bir albümde konuk sanatçı diğerinde ana üye olarak görülmekte. Yine Esbjörn Svensson Trio’dan hatırlayacağınız davulcu Magnus Öström ve basçı Dan Berglund, Michael Brecker, Randy Brecker, Roy Hargrove, Till Brönner ve Viktoria Tolstoy’un adlarına da albümlerde konuk sanatçı olarak rastlamak mümkün.



2004 yılında İsveçli ünlü pop grubu Abba’nın eserlerini yorumladıkları Funky Abba albümü, 2007 yılında basılan Licence To Funk ve 2010’da Nairobi’de bulunan Médecins Sans Frontières (Sınırı olmayan doktorlar) projesine destek veren Funk for Life albümü ekibin daha güncel stilini yansıtan çalışmalar. Ekibin, Funky Abba albümünde piyanoda Robert Di Gioia’ya davulda ise Wolfgang Haffner’e yer verdiğini görüyoruz. Bununla birlikte, Licence To Funk’ta piyano ve vokalde Ida Sand ve üflemelilerde Magnus Lindgren’in yer aldığı çok daha minimal bir ekibe rastlıyoruz. Son albüm Funk For Life’da kadro şu şekilde: Nils Landgren (trombon, vokal), Magnum Coltrane Price (bas, vokal) Magnus Lindgren (üflemeliler, back vokal), Jonas Wall (üflemeliler, back vokal), Sebastian Studnitzky (klavye, trompet, back vokal), Andy Pfeiler (gitar, vokal) Robert Mehmet Ikiz (davul, back vokal), Wolfgang Haffner (davul-iki davul olan yerlerde)
Nils Landgren Funk Unit, İstanbul’daki konsere de Funk For Life kapsamında geliyor. Albüm kadrosunda da gördüğünüz İsveç’te yaşayan Türk davulcumuz Mehmet İkiz’i de bu konserde dinleme şansı yakalayacaksınız.  
Devamlı değişen, gelişen ve yenilenen ekiplerle Nils Landgren Funk Unit bir nevi İsveç müzik okulu gibi de çalışmakta. Esbjörn Svensson’un bu ekiple çalarken Siggi Loch ile tanıştığını unutmayalım. Nils Landgren şu an hem müzisyen hem de yapımcı olarak Alman ACT firmasının en önemli isimlerinden. Keşifleri ile özellikle İskandinav cazına ve bu coğrafyadan çıkan harika vokallere verdiği destek takdiri hak ediyor. Devamlı farklı projelerde, aralarında efsane isimlerinde olduğu sayısız müzisyenle beraber çalmakta. Bütün bu devinen yapıda değişmeyen tek şey Nils Landgren’in müziğin sınırlarının olmadığına ve paylaşılması gerektiğine dair müzik felsefesi. İşte bu yüzden bu iyi müzik yapan iyi kalpli müzisyenleri dinlemeye gitmelisiniz bence. Konserden önce, bahsettiğim albümleri de (özellikle canlı kayıtlar ve Fonk Da World albümü) dinlemenizi tavsiye ederim. Ya da aşağıdaki örneklere göz atabilirsiniz.


http://www.youtube.com/watch?v=WD9g1ZcGj5k
http://www.youtube.com/watch?v=LXdQMs13OGU&feature=related
http://www.youtube.com/watch?v=SuZD2R9N9fA&feature=relmfu
http://www.youtube.com/watch?v=xRoyCSzzKxY

Nils Landgren Funk Unit is coming to İstanbul on November 23th


Actually I should write a couple of long articles to explain exactly what this old band has done since its foundation in 1992. However, my aim in this article which I'd like to keep short is why Nils Landgren Funk Unit is one of the best funk groups in Europe and why you should go to see them on November 23th at Ghetto in İstanbul.

The name of the band comes from Sweden trombonist and vocalist Nils Landgren who is still the leader of the band. Nils Landgren was born in 1956 and started to play music when he was a little child with drums. He, later, switched to the classical trombone. During 80's he is inspired by legendary Sweden musician Bengt-Arne Wallin and trombonist Eje Thelin and decided to improve himself in improvisation and started his professional career by taking part first in popular bands in Sweden then played in many albums with genres of jazz, soul and folk. When we come to 1992, we see Nils Landgren was performing in his own band called Unit. When this band performed in Jazz Baltica Festival in Salzau Germany in the name of Funk Unit, they suddenly caught attractions and released Live in Stockholm album in 1995 from ACT. (You should certainly listen to that album that you can easily find in music markets) The personnel in the first unit were Nils Landgren (trombone, vocal) Henrik Jansson (guitar) Jesper Mejlvang (rhodes) Lars DK Danielsson (bass) and Per Lindvall (drums). In the first album from 1995, we see Ake Sundqvist (drums, percussion and trumpet)  and Jan Ugand as additions. We can also see Maceo Parker and Magnum Coltrane Price (who became one of the most important member of the unit later) as guest appearances.

After the albums Paint it Blue (German Jazz Award winner) in 1997, Live in Montreux and 5000 Miles in 1999, Fonk Da World in 2001 and countless energetic live performances all around Europe especially in Germany, they became a very important band for jazz and funk listeners. Spiegel described them as the best funk band in Europe in 2001. Nils Landgren, Esbjörn Svensson and Magnum Coltrane Price seem to be the long term members of the band during these years, whereas Per Rusktrask Johansson played in albums sometimes as the band member sometimes as guest musician. We can also see E.S.T members drummer Magnus Öström and bassist Dan Berglund, Michael Brecker, Randy Brecker, Roy Hargrove, Till Brönner and Viktoria Tolstoy as the guest appearances in these albums.



Funky Abba in 2004, which includes famous Swedish band Abba's covers, Licence to Funk that is released in 2007 and Funk for Life in 2010 supporting also Médecins Sans Frontières (Doctors without borders) in Nairobi are recent works of them that reflects their latest style. I should mention that Robert Di Gioia played piano and Wolfgang Haffner played drums for Funk Unit in Funky Abba. Besides, we see that in Licence to Funk, Funk Unit preferred a more minimal band including Ida Sand on piano and vocal, Magnus Lindgren on woodwinds. The personnel in last album Funk for Life is as follows: Nils Landgren (trombone, vocal) Magnum Coltrane Price (bass, vocal) Magnus Lindgren (woodwinds, back vocal) Jonas Wall (woodwinds, back vocal) Sebastian Studnitzky (rhodes, trumpet, back vocal) Andy Pfeiler (guitar, vocal) Robert Mehmet Ikiz (drums, back vocal) Wolfgang Haffner (drums when 2 drums)

Nils Landgren Funk Unit is coming to İstanbul with Funk for Life concept. You will also find the chance to listen Turkish drummer Mehmet İkiz who lives in Stockholm. Nils Landgren Funk Unit is also a kind of Sweden jazz school with its ever evolving structure. Please remember that Siggi Loch of ACT meet Esbjörn Svensson while he was playing with Funk Unit. Nils Landgren is one of the most important name both as a producer and a musician. Nils Landgren’s support to Scandinavian jazz and vocalists emerged from this land with his discoveries worth appreciation. He is going on to play in many different projects with many different musicians. In this ever evolving structure there is one thing remains the same: His musical philosophy that says music has no borders and it should be shared. Now, that’s the ultimate reason for you to go to the concert, see and meet these good musicians. Please have a look at the albums that I have mentioned before going. (especially the live records and Fonk Da World) Or else you can see the samples below.

http://www.youtube.com/watch?v=WD9g1ZcGj5k
http://www.youtube.com/watch?v=LXdQMs13OGU&feature=related
http://www.youtube.com/watch?v=SuZD2R9N9fA&feature=relmfu
http://www.youtube.com/watch?v=xRoyCSzzKxY



Wednesday, 17 October 2012

After The ACT Jubilee Night Concert in İstanbul on October 7th


I am not going to explain just a concert or a musician in this article because it will be a kind of understatement to write ordinarily what I have lived on October 7th in İstanbul. In fact my consciousness and subconsciousness were continuously moving me back and forth since I have heard about the event. However, you know, things you have faced in real life can sometimes simply exceed what you dream. The last Sunday was just one of such days. (I should mention that I will continue on writing in this lyrical and subjective style throughout the post which is consistent with the spirit of music and explain my dreamy view of things. For anyone having a problem about that and waiting a solid objectiveness such as in soccer reviews, I advise changing the channel.)

I took the flight in the early morning from Ankara (capital of Turkey) to İstanbul. Just after landing on airport I made my way to Arnavutköy quickly. The beautiful reason why I am so excited and being in rush is that I was going to meet founder of ACT, Siggi Loch, for lunch before ACT Jubilee Night Concert. Easier than said, Siggi (Siegfried) Loch has realized his dreams of producing the music he likes by founding ACT, which is one of the most important jazz labels in Europe.  I could not even made a question list but at least I managed to take some notes on my phone. I have had just basic goals in this meeting: preventing myself from getting too excited, trying to listen carefully and not to talk too much. Frankly, I am not quite successful on attaining such goals. Forgive me, I was with my role model and asking for guidance.

Although Siggi Loch has vast experience in music and life, I have found him quite sincere and modest. I mean, I feel like I am not talking with someone who worked with legendary Arif Mardin and Nesuhi Ertegün for Warner Music and founding ACT records company. He became more important for me with his each comment and story about music and musicians. He has not come alone to Turkey, his wife Sissy Loch was with us at the lunch. Both of them liked İstanbul very much. We have talked about our meals, streets and wines. He has mentioned that he fall in love with İstanbul and it’s been 20 years since they last visited İstanbul.


We sometimes remembered the legendary musicians, sometimes talked about new talents during our lunch with creator of ACT. Esbjörn Svensson was the main topic for a long time. According to Siggi Loch, Esbjörn Svensson Trio is the best trio of their era and From Gagarin's Point of View is a very important album in jazz history. We fell in sorrow when he was talking about his passing away and we saw Sissy Loch crying while she was explaining Esbjörn Svensson’s wife and sons. Siggi Loch said “At first, I just decided to finish ACT after Esbjörn passed away but there were lots of new talents in the label. Michael Wollny is especially important for me with his special talent and you will see what I am talking about tonight. After I have considered these, my decision was on continuing.” I felt that pianists are especially important for Siggi Loch. He has explained their musical adventures with Vijay Iyer in detail. We have talked about his last album Accelerando and his success of becoming cover for Downbeat magazine in UK. Iiro Rantala, who is one of the talented new pianists of ACT, was mentioned as possibly the most technically successful pianist of the label so far by Siggi Loch. I have learned that Siggi Loch likes his album Lost Heroes very much just like me.

In order to relief the environment a bit after Esbörn Svensson’s depressing story, I have asked to Siggi Loch the first thing that come into his mind when I say Turkish music. After some trial, we have learned that he has listened to percussionist Burhan Öcal in one of his performance and liked it. When I asked him whether I should stay as a music enthusiast or I can do something professional about music, Siggi Loch started to tell us a fabulous story of jazz world guided with legendary Turkish music producers Arif Mardin and Nesuhi Ertegün. The last days of Nesuhi Ertegün, the East-West label and his Warner Music days... The moment that he said “All these people are Turkish then why not?“ probably is when seeds that will change my life in future are planted in my brain. I have felt a certain self-respect with these important words. We learned that he does not like two things. One is working with musicians whose main concentration is on money and the other one is listening to music while doing something else. I was about to ask him to take me and educate as a disciple but I restrained myself. After that fabulous meeting we have said goodbye to each other to meet again at the concert. Siggi Loch told me that he had a surprise for me at the concert by calling me with my name. While I was trying to decide on whether this is dream or real life, I just shook hands with him and left.

There was another good concert 2 hours before ACT Jubilee Night in İstanbul Lütfi Kırdar Hall. Miles Smiles project gathered many wonderful musicians who are Miles Davis’ students at the same time. We have listened many qualified variations of Miles Davis’ compositions at this concert. The Hammond performance of Joey DeFrancesco and drummer Omar Hakim were highlights of the night. We have faced with a certain reverberation and reflection problem in this concert due to acoustic design of the hall. Thus, the overall effect on the audience was not as good as it should be considering the musicians’ performances. Although the emptiness of the hall approximately to the half of it due to Fenerbahçe-Beşiktaş football match is not important for me, I think the organization should check itself and take it as a feedback.

I have met Siggi Loch and Sissy Loch again between two concerts. Siggi Loch was carrying my gift in his hand which was my surprise. The new album of Wolfgang Haffner, Heart of the Matter, which is not released yet. It is hard for me to explain my feelings at the moment that I took it.



After having a great day and warming up with a good concert it was time for ACT Family Band to be on the stage. Siggi Loch was on the stage just before them. He seemed a bit sorry to have seen the hall is only half-full. However, he has shortly  shared the 20 years history of ACT label by mentioning names of Nesuhi Ertegün and Arif Mardin. He also dedicated the night to them. The concert started with a problem in the microphones and our high energy level is disturbed a bit. I think the reasons were the previous night’s ACT Jubilee concert in Malmö, Sweden and the Miles Smiles project just before this concert preventing the musicians to perform a soundcheck. However we had the wonderful Nils Landgren on the stage. He is someone who knows what to do when and affects people not only with his music but also with his charisma. He managed to save the night and made a perfect intro. He gave a perfect description of a meal to explain the diversity and richness in ACT label all around the world. While Nils Landgren was starting to do that there was just Lars Danielsson on his double bass at the back playing a walking bass instead of his well known lyrical tunes. After that Nils Landgren invited his friends from ACT Family Band one by one: drummer Wolfgang Haffner, pianist Michael Wollny, saxophonist Céline Bonacino, trumpeter Verneri Pohjola, vocalist Caecilie Norby and guitarist Johan Norberg. Each new musician took part in the first piece Family Stew by adding their partitions and in the end, the whole band finished it together. Johan Norberg and Nils Landgren performed a very emotional piece from their nostalgic Chapter Two project called Get Here just after that. Johan Norberg participated in the concert as another famous guitarist of ACT label since the regular member of Family Band Nguyen Le is not with the band. The playlist was very similar to previous ACT Jubilee Nights with some interesting differences: But This One Goes in Four from Ancient History (2012) album of Verneri Pohjola, Zig-zag Blues from Céline Bonacino’s Way of Life album, Lonely Dancer from Michael Wollny, Silent Way from Wolfgang Haffner’s album Shapes, Hymn (from Liberetto) and Pasodoble from Lars Danielsson, Bei mir bist du schoen and Dead Princess from Arabesque (2011) of Caecilie Norby and a Joni Mitchell cover Both Sides from her voice and Stars in Your Eyes from last album of Nils Landgren. 

Performances are given by changing configurations of artists on the stage. Nils Landgren took part in more pieces than what I expected with his velvet soft voice. His tiredness that is obvious from previous night could not prevent him from making incredible trombone solos. The highlights of the performance were the mimics of Lars Danielsson while performing with his double bass, Nils Landgren’s raising arms through the end of the solos and Michael Wollny’s dances with his piano. Once again, the last performance of the band just before the encore was Dodge The Dodo of From Gagarin’s Point of View (1999) of Esbjörn Svensson Trio. The guitar solo intro from Johan Norberg for Dodge the Dodo was incredible. Michael Wollny proved himself again in this extraordinary piece having nice piano partitions. I did not understand whether he danced with the piano or played it. There is a profound and organic connection between his hands and instrument. His cold tone remembering us the Scandinavian tradition was so nice. We continued to remember the legendary Esbjörn at the encore. When Nils Landgren mentioned the name of Esbjörn Svensson the audience responded with applause. Love is Real was created by Esbjörn Svensson Trio and Josh Haden (son of Charlie Haden) in the album Seven Days of Falling (2003) of the trio. It is actually based on the composition Believe, Beleft and Below which is in the same album and lyrics are written and sung by Josh Haden. We have listened Love is Real from Nils Landgren as the main vocal and Caecilie Norby as the side vocal. While Verneri Pohjola is playing the ballad Nils Landgren closed his eyes and Caecilie Norby looked down. We dived into dreams, sorrow, melancholy and asked why again. 


And the concert ended just like that. I have taken lots of autographs on my albums. I almost have all albums of Nils Landgren and Lars Danielsson but the meeting could be realized only after that concert. It was so easy for them to remember me because of my social networking, blogging and my dedication to ACT label. I was like meeting some relatives from my family. 

As a summary I was as happy as I can be. The only huge missing one was Esbjörn Svensson, whom I could not met in this life. However, I am sure that he was on the stage and between us during and after the concert since there are lots of people thinking and dreaming about him. I know that’s a dream but you know, people live what they feel.  

7 Ekim ACT Jubilee Night Konseri’nden Aklımızda Kalanlar


Bu yazıda size tek bir konseri veya özellikle bir müzisyeni anlatmayacağım. Çünkü 7 Ekim günü olanları her zaman başımdan geçen müzikal maceralardan biri gibi anlatmak o günü biraz hafife almak olur. Aslında bugünü aylar öncesinden duyduğumdan beri bilinç ve bilinç altım beni yerle gök arasında devamlı hareket ettirmekteydi. Ama olur ya, bazen yaşadıklarınız hayallerinizi aşar. Geçtiğimiz pazar işte böyle bir pazardı. Konuyu bu hamaset stili ile bu abartı seviyeye taşıdığım şu satırlarda olanları daha da duygusal ve müziğin ruhuna da uygun bir şekilde sübjektif bir perspektiften ve kendi hayali dünyamdan anlatacağımı belirtmek ister futbol yorumu gibi bir şey bekleyenlerin ise kanalı değiştirmelerini tavsiye ederim. 

Sabah erkenden Ankara'dan İstanbul'a uçtum 7 Ekim’de ve hava limanından da doğrudan Arnavutköy'e uçarak vardım o pazar sabahı. Acelemin ve heyecanımın nedeni ise onunla görüşecek olmamdı. Sevdiği müziği, hayallerini gerçekleştirerek kurduğu ACT ismi altında üreten Siegfried(Siggi) Loch ile ACT Jubilee Night konseri öncesi yemek için buluşacaktık. Kafamı toplayıp bir soru listesi bile hazırlayamadım son ana kadar ama neyse ki telefonuma bir kaç not almıştım. Yine de tek bir konsantrasyonum vardı o da heyecanıma yenilmeyip gevezelik yapmadan onu dinleyebilmek. Becerebildin mi derseniz, hayır. Ne yapayım rol modelim ile karşı karşıyaydım, bana bir yol göster diyordum ona. 

Yılların tecrübesine, yaşanmışlıklarına, bilgisine ve duygusuna sahip Siggi Loch’u oldukça mütevazi ve sıcakkanlı buldum. Yani karşımda Arif Mardin, Nesuhi Ertegün gibi efsanelerle Warner Music firmasında çalışmış ve şu an ACT ismi ile Avrupa cazını yönlendiren bir insan yok gibiydi. Bütün o ağırbaşlılığın yanında müzikle, cazla, müzisyenlerle ilgili yaptığı her yorumla, aktardığı her anekdotla biraz daha büyüdü gözümde. Yalnız gelmemişti Siggi Loch, eşi Sissy Loch ile beraberdi. İkisi de çok beğenmişlerdi İstanbul’u. Yemeklerinden, şaraplarından ve sokaklarından bahsettik bol bol. Arnavutköy'ün manzarasına bakarken İstanbul'a aşık olduğundan ve en son 20 yıl önce geldiğinden bahsetti.

ACT’nin yaratıcısı ile yaptığımız sohbette kimi zaman eskiler hatırlandı kimi zamansa yeni yetenekler konuşuldu. Esbjörn Svensson konunun odak noktasındaydı uzun süre. Siggi Loch'a göre Esbjörn Svensson Trio döneminin en iyi triosu ve From Gagarin's Point of View albümü jazz tarihinin en önemli albümlerinden. Siggi Loch, Esbjörn'ü anlatırken hepimiz yutkunduk ve çocuklarından ve eşinden bahsederken Sissy Loch’un gözlerinden yaşların indiğine tanık olduk. "Çocuğum gibi görüyordum Esbjörn Svensson'u. O aramızdan ayrılınca ACT'yi kapatmaya karar verdim ama bir sürü yeni yetenek vardı. Özellikle Michael Wollny, gerçek bir dahi, bugün siz de göreceksiniz. Sırf onun için bile devam ettirmeliyim diye düşündüm." dedi Siggi Loch. Onun için ACT çatısı altındaki piyanistlerin yeri çok ayrıymış gibi geldi bana. Uzun uzun Vijay Iyer'den, onun son albümü Accelerando'dan ve Downbeat dergisine kapak olduğundan bahsetti. Genç yetenek olmasa da ACT ile yolları yeni kesişen Iiro Rantala'dan konuştuk. Harika albüm Lost Heroes'dan ve yeni yayınlanacak olan albümden bahsettik. Teknik açıdan ACT'nin karşılaştığı en geniş spektrumlu ve başarılı piyanist olabilir diyor Siggi Loch, Iiro Rantala için.

Konuyu biraz yumuşatmak adına Türk müziği deyince aklınıza ilk ne geliyor diye Siggi Loch'a sorduğumda bir kaç deneme yanılmadan sonra Burhan Öcal'ı bir yerlerde dinlediğini ve çok beğendiğini öğrendim. Konu buradan Arif Mardin ve Nesuhi Ertegün gibi Türklerin jazz dünyasına verdikleri inanılmaz katkılara geldi. Ben Siggi Loch'a sadece bir müzik hayranı olarak devam mı etmeliyim yoksa sence ben de inandığım müzik için daha önemli birşeyler yapabilir miyim diye sorduğumda işte o zaman jazz prodüktörleri tarihinin bizden birileri tarafından yönlendirilmiş hikayesini dinlemeye başladık. Nesuhi'nin son günleri. East West plak şirketi. Arif Mardin'in caz dünyası için önemi. “Bütün bu işleri yapanlar Türk, neden olmasın?” dediği anlar zannedersem benim için en önemli olanlardı. Bir özgüven geldi üstüme başıma, ileride hayatımı değiştirebilecek şeylerin tohumları beynime atıldı gibi sanki. Parayı çok ve en önde düşünen müzisyenlerle çalışmaktan ve müzik dinlerken başka bir şey yapmaktan hoşlanmadığını öğrendik. Sayın Siggi Loch, lütfen beni yanınıza alıp müridiniz olarak yetiştirin diyecektim ama tuttum kendimi. Bu güzel sohbetin ardından akşam konserde görüşmek üzere ayrıldık ve “Konser alanında sana bir sürprizim olacak.” dedi Siggi Loch bana ismimle hitap ederek. Rüya mı hayal mi derken ellerini sıkıp ayrıldım.

7 Ekim Pazar akşamı 20:30’daki The ACT Jubilee konserinden önce yine Lütfi Kırdar’da önemli bir konser daha gerçekleşti. Saat 18:30’da başlayan konserde Miles Smiles konseptinde sahnede birçok önemli ismi gördük. Miles Davis’in bestelerinin oldukça farklı ve güzel düzenlenmiş hallerini yine zamanında onunla beraber çalmış müzisyenlerden dinledik. Joey DeFrancesco’nun harika Hammond performansı dikkat çekiciydi. Yine de onu daha önceden North Sea’de dinleyen arkadaşımızdan daha iyidir aslında diye bir yorum kulağımıza çalındı. Harika solo performansı ile olduğu kadar düzenlemelerin ve performansın altyapısına can katan Omar Hakim akıllarda kalan müzisyendi. Bu konserde genel olarak Lütfi Kırdar Kongre Salonu’nun akustik kondisyonlarına bağlı olarak ciddi bir yansıma ve reverberasyon problemimiz vardı. Bu sebeple de genel etki istenildiği ölçüde değildi. Pazar gününün Fenerbahçe-Beşiktaş maçına denk gelmesi ile ilgili olabileceğini öğrendiğim böylesi ünlü müzisyenlerin konserinde salonun yarı yarıya boş olması sorunu ise beni çok ilgilendirmemekle beraber organizasyonun kendisini biraz sorgulaması için bir sebeptir diye düşünüyorum.

İki konser arasında, ACT Jubilee Night konserinden hemen önce Siggi Loch ve eşi ile Lütfi Kırdar'da karşılaştık. Siggi yemekte söz verdiği ve bana hediye etmek istediği Wolfgang Haffner'in henüz piyasaya sunulmamış Heart of the Matter albümünü de yanında getirmiş. Albümü aldığım andaki mutluluğumu tarif edemem.

Mükemmel geçen bir gün ve güzel bir konserle ısınmanın ardından o beklenen konserin anonsuna gelmiştik nihayet. ACT Family Band sahneye çıkıyordu. Hemen öncesinde Siggi Loch sahneye geldi. Çıkarken, sanırım yarısından fazlasını boş gördüğü salon birazcık moralini bozdu. Yine de 20 yıllık ACT hikayesini Nesuhi Ertegün ve Arif Mardin isimlerini de anarak bizlerle paylaştı ve geceyi onlara ithaf ettiğini belirtti. Gece ses düzeneğindeki mikrofonların sıkıntısı ile başladı ve tepelerde gezinen enerjimiz biraz hayal kırıklığına döndü. Bunun sebebi bana göre hem bir gece önce İsveç Malmö’de verilen ACT Jubilee Night konserinden dolayı müzisyenlerin geç gelmeleri ve ses kontrol yapamamaları hem de Lütfi Kırdar’da konserin hemen öncesinde Miles Smiles konserinin olmasıydı. Ama sahnede muhteşem Nils Landgren vardı. Neyi ne zaman nasıl yapacağını bilen ve sahnede müziği ile olduğu kadar karizması ile de dinleyicilerini etkileyen biri o. Bu işin de üstesinden geldi ve çok etkili bir giriş yaptı. ACT'nin, Avrupa'nın hatta bazen dünyanın çok farklı ülkelerinden topladığı sanatçıları ile oluşturduğu zenginliği anlatmak için çeşnili bir yemek tarifi yaptı. Bu sırada arkada sadece Lars Danielsson tanıdık bas tonu ile alıştığımız lirik melodiler yerine temel bir bas hattı çalmaktaydı. Devamında Nils'in davetleri ile davulcu Wolfgang Haffner, piyanist Michael Wollny, saksofonist Céline Bonacino, trompetçi Verneri Pohjola, vokalist Caecilie Norby ve gitarist Johan Norberg sahnedeki yerlerini aldı. Her yeni gelen sanatçı ilk parça Family Stew'in kendisine ait partisyonlarını çalarak sonunda sahnede bir bütün halini aldılar. Bu performansın hemen ardından normalde ACT Family Band’de gitarist olarak yer alan ünlü Vietnamlı müzisyen Nguyen Le’nin konsere katılamamasından dolayı diğer ACT Jubilee Night gecelerinden farklı olarak Nils Landgren ve Johan Norberg'in Chapter Two'dan hatırlanacak nostaljik çalışmalarından biri Get Here ikili tarafından icra edildi. Devamında ACT Family Band’den diğer ACT Jubilee Night konserlerine benzer olmakla beraber ilginç değişiklikler de içeren bir parça listesinde şu eserler çalındı; Verneri Pohjola’nın ACT’den 2012’de yayınlanan Ancient History albümünden But This One Goes in Four, Céline Bonacino’nun tek ACT albümü Way of Life’dan Zig-zag Blues, Wolfgang Haffner’in Shapes albümünden Silent way, Lars Danielsson’dan Hymn ve Pasodoble, Michael Wollny'den Lonely Dancer, Caecilie Norby’nin Arabesque (2012) albümünden
Bei mir bist du schoen, Dead Princess ve yine onun sesinden bir Joni Mitchell coverı Both Sides, Nils Landgren’in son albümünden Stars in Your Eyes. 

Sahnede sık sık değişen konfigürasyonlarda performanslar verildi. Nils Landgren güzel ve kadife sesi ile beklediğimden daha fazla parçada yer aldı. Bir gece önceki konser kaynaklı ve her hallerinden belli olan yorgunluğu uzun ve enerjik trombon soloları yapmasına engel olmadı. Lars Danielsson’un mimikleri, Nils Landgren’in trombon sololarında sonlara doğru devamlı kalkan kolları ve Michael Wollny’nin piyanosu ile dansı konserin ana merkezindeydi. Jubilee Night’ın bisten önce son olarak çalınan eseri yine müteveffa Esbjörn Svensson’un o unutulmaz 1999’da yayımlanan From Gagarin’s Point of View albümündeki en başarılı bestelerinden Dodge The Dodo parçası oldu. Özellikle parçanın girişinde Johan Norberg’in gitar introsu unutulmazdı. Michael Wollny çok önemli bir yetenek olduğunu bir kez daha piyano partisyonları eşsiz bu eserle ispatladı. Dans mı etti tuşlarla, piyano mu çaldı anlamadım. Gerçekten sinir bozucu bir organik bağ vardı elleri ve enstrümanı arasında. Kuzey Avrupa’lıları hatırlatan buz gibi de bir tonu. Dodge the Dodo ile daldığımız hatıralara biste devam ettik. Nils Landgren bis performansından hemen önce “şu an aramızda olmayan arkadaşımız” diye Esbjörn Svensson’dan bahsettiğinde salondan alkışlar yükseldi. 2003 Seven Days of Falling albümünde yer alan duygusal beste Believe Beleft Below’a Charlie Haden’in oğlu Josh Haden’in söz yazması ile ortaya çıkan Love is Real’i ana olarak Nils Landgren ve yan olarak Caecilie Norby’nin vokalinden dinledik. Verneri Pohjola trompeti ile baladı çalarken Caecilie Norby yere baktı, Nils Landgren ise gözlerini sımsıkı kapadı. Hayallere, isyana, hüzne ve melankoliye daldık.

Ve öylece bitti bu konser. Çıkışta birçok albüme imza alıp hepsi ile sohbet ettik. Neredeyse bütün albümleri vardır Nils Landgren’in ve Lars Danielsson’un bende ama tanışmak şimdiye kısmetmiş. Doya doya özlemimi giderdim. ACT firması ile olan duygusal bağım, blogum ve yazılarım sosyal paylaşım platformları sayesinde zaten birçok müzisyen tarafından bilindiğinden beni hatırlamaları kolay oldu. Sanki yıllardır tanıdığım insanlarla bir araya gelmiş gibiydim.

Mutluydum kısacası. Tek eksik Esbjörn Svensson’du, hayattayken tanışamadığım efsane. Ama onu düşünen, seven bu kadar insan bir araya gelince onun konserde sahnede, konser sonrası aramızda gezindiğini hissettim sanki. Hayal işte ama ne yaparsınız, insan ne hissederse onu yaşar.  

Monday, 1 October 2012

The Concert in My Dreams, The ACT Jubilee Night in İstanbul on October 7th



I heard about The ACT Jubilee Night  that will be held in İstanbul long ago. As far as I have remembered, it was on June. Since I'm a dedicated ACT follower and collector, I usually look at their website to learn about released albums and new concerts. ACT is the German Label that has the largest place in my archive. At that time, I just wanted to learn about the place of Liberetto concert of Lars Danielsson and Thread of Life concert of Magnus Öström which will be performed in İstanbul Jazz Festival in July 2012. When I sorted the concerts with respect to countries, I have seen the announcement of the concert in my dreams. One of the ACT Jubilee Nights would be held in İstanbul on October 7th in Akbank Jazz Festival. Frankly, since it's only me who distribute ACT albums to my friends, talk about ACT musicians and unsuccessful to make people love Nordic records in Turkey, I rarely can listen lively to them in their performances in my country/city and I am not hopeful about that. Thus it is hard for me to express how happy I became when I heard about this concert in which most of my favorite musicians will be on stage. Easier said done, Nils Landgren, Lars Danielsson, Caecilie Norby, Michael Wollny, Wolfgang Haffner, Verneri Pohjola, Johan Norberg and Céline Bonacina are coming to İstanbul for one special concert. After learning about it, I met with Robert Mehmet Sinan İkiz, the Turkish drummer living in Sweden who is also a part of Nils Landgren Funk Unit just before a gig of Mehmet in İstanbul. On learning that Siggi Loch, founder of ACT will join the concert in İstanbul during that meeting, my happiness is doubled up.

ACT Family Band performs in The ACT  Jubilee Night concerts and the performances are dedicated to the 20th anniversary of foundation in 2012. They have performed six concerts so far. Four of them is held in Germany in four consecutive days on February, one of them was in Paris on April and last one was in Stockholm five days ago. The Hamburg concert is released as a 2 CD album. There will also be another concert  on October 6th in Malmö, Sweden. Lastly, İstanbul will be hosting to the last concert of this series on October 7th.

ACT Family Band is Nils Landgren (tb, voc), Michael Wollny (p), Verneri Pohjola (tr), Céline Bonacina (sax), Lars Danielsson (b), Nguyen Le (git), Caecilie Norby (voc) and Wolfgang Haffner (dr). The members of ACT family band can be varied from time to time. For instance we will see Johan Norberg instead of Nguyen Le in İstanbul concert. As the vocal we can see Caecilie Norby as well as Viktoria Tolstoy. Lezsek Mozdzer, who has recorded one of the best album of ACT, Pasodoble with Lars Danielsson, sometimes joins the Family Band as a guest.  Considering the discographies within ACT label and their works in ACT, I see Nils Landgren, Lars Danielsson, Wolfgang Haffner and Nyguen Le as the leaders of ACT Family Band. On the other hand, Michael Wollny has became a long-establidhed musician of ACT with his extraordinary musical perspective, talent and exciting discography. Listening to Verneri Pohjola, who is heard with recently released great albums will be very exciting considering his unique tone. I am sure that Caecilie Norby will attract many music enthusiasts’ attention in İstanbul with her emotional and strong voice. I am new at following Céline Bonacina who is an extraordinary leader for a trio with her baritone saxophone and I really wonder her unique performance.

It is difficult for me to make discrimination between any ACT musicians I am following. However, unfortunately, the one to which I am connected most deeply is not with us anymore. He is most probably became the pianist of the best trio in heaven now. I am talking about Esbjörn Svensson, who turned the jazz world upside down and about whom I wrote several articles in my blog before. His relationship with ACT starts after he has taken place as pianist of my another favorite ACT musician Nils Landgren’s band, Nils Landgren Funk Unit until when he played with his trio including his childhood friend Magnus Öström and Dan Berglund and recorded with some vocals such as Lina Nyberg. Esbjörn Svensson Trio released their album from ACT after that and they became the most worldwide famous musicians of ACT with their many great records and unbelievable live performances. After his sudden passing away in 2008 he has taken his place within unforgettable music legends. Drummer Magnus Öström and bassist Dan Berglund are going on their individual projects with their own groups within ACT now. By the way, I should say that ACT Family Band performs Esbjörn Svensson’s composition Love is Real in the Jubilee Nights as a tribute for him, whose lyrics are written by Josh Haden (son of Charlie Haden) from the album Seven Days of Falling, including one with vocal and one without vocal performance and which is performed in many times with different jazz vocals.

Nils Landgren, the man with the red horn, is born in 1956 and he is just like a Swedish Jazz School with his long-established Funk Unit, female vocal jazz albums he produced and albums in which he appeared as a sideman. There are approximately 25 albums in ACT with his leadership and 25 more produced or assisted by him as a guest. Thus, even the first musician signing a contract with ACT is Nguyen Le, I can say that the most important musician of ACT is Nils Landgren. He may be the most seen name in ACT after the founder Siggi Loch in the label. For me, the reason why we see so many Sweden musicians in German label ACT is Nils Landgren. In my opinion, Nils Landgren is one of the best trombonist in the world and a great funk musician. He was pretty active even before ACT. He is inspired by legendary Swedish musician Bengt-Arne Wallin as well as by Eje Thelin. He became well-known after seen in Baltic Jazz festivals in ‘90s. You should certainly listen to the live albums of Funk Unit. Swedish Folk Modern and Layers of Light, which they recorded as a duo with Esbjörn Svensson, are among the legendary albums of ACT with their beauty and simplicity. Salzau Music on Water is another one of his extraordinary work made with vibraphonist Christopher Dell and Lars Danielsson. I should mention the album Creole Love Call recorded with Joe Sample. Nils Landgren has a real profound and competitive vocal performance in this album.

Lars Danielsson, who is born in 1958, is another iconic musician in ACT. He is an important figure for ACT followers with his lyrical bass tone and violoncello playing in his great albums as well as in many other ACT musicians’ albums. He has performed and recorded with his own quartet formed of very important musicians before ACT. Moreover he has played and recorded with many worldwide famous musicians so far. He is so famous in my country especially with his latest album Liberetto in which you can see Tigran Hamasyan on piano. The reason for that is his tendency to our melodies in this album in my opinion. His albums Tarantella (in which you can see Eric Harland on drums) and Pasodoble recorded with Lezsek Mozdzer are among the best albums of ACT so far.


Wolfgang Haffner is the most seen name as the drummer in ACT albums. He has a characteristic and profound technic on drums. The album I like most from Wolfgang Haffner is Abracadabra which he recorded with Roberto di Gioia and Dieter Ilg as a celebrating album for Klaus Doldinger, released in 2006. He has many other records as a sideman as well as his own mostly electronic-jazz albums from ACT.
The trumpeter member of ACT Family Band is young Finn Verneri Pohjola. I have heard his name in two albums in 2012 one of which is his own Ancient History and the other one is Imaginary Room of new young talent of violin Adam Baldych. In his own album the composition Deism and But This One Goes in Four(played in the previous jubilee concert) compositions and Björk Hyperballad cover should be pointed out. 


The first time I have heard voice of Caecilie Norby was in Lars Danilesson’s 2004 album Libera Me. She was beautifully singing the New Born Broken composition that she made with Lars Danielsson. Caecilie Norby has a mature, characteristic and impressive vocal. She is born in Denmark and not only interested in jazz but also is an important figure in rock scene. Caecilie’s first own album from ACT  is Arabesque which she produced with Lars Danielsson in 2012. However, there are lots of albums she appeared as a guest or as a side musician as well as found place in lots of vocal compilation albums in the name of magic/nordic voices of ACT. She also had lots of rock and jazz albums before working with ACT label.

French baritone saxophonist Céline Bonacina released the album Way of Life from ACT with her trio. It is unusual for a leader of a trio to be a baritone saxophonist. The same word   unusual can also be used as a descriptive for their music. Their performances are very minimal, dominated mostly by bass and baritone lines and full of improvisations. Johan Norberg is an important figure as an acoustic guitarist mostly in Sweden folk and world music. He has not only found Chapter Two with Nils Landgren and gave many live performances but also recorded many good albums which are released from ACT later on. Moreover he has lots of Swedish Folk Music albums from ACT with famous saxophonist Jonas Knutsson.


There are lot to say about Michael Wollny who has many good records with famous ACT musicians. He has recently added a perfect one to the albums he performed with his band [em] with the name  Wasted & Wanted. He also visited İstanbul in the tour held for this album. He is like a symbol for the reformist insight of ACT records. I remember young German pianist Michael Wollny always with a photo of him in the catalog I found in the album of E.S.T. Viaticum released from ACT in 2005. (He looks like Robert Smith from Cure with his too wavy hair in this photo.) The slogan written on this photo was “Everything Must Change” The message written here was as follows: “Nobody grows up by listening only to jazz music. Not even jazz musicians. Rock’n Roll, techno, folk, country, world, jazz and other styles are among the significant wide range of influences on most young musicians today. All these diverse musical forms can now be combined. Jazz is no longer just based on harmonic, structural and improvisational principles. Unlike in the past, jazz nowadays can not be described in terms of a definitive style. It has become a synonym for freedom and openness in its use of musical influences from diverse sources. We encourage musicians to reach out for a MUSIC BEYOND CLASSIFICATION”. Although this message seems to be written to young musicians, for me, this reflects the main perspective of ACT for music. You can easily feel that in ACT albums when you listen to them.

Freedom, diversity, talent, niceness, being hard to categorize… It is normal to face with authenticity and beauty when you gather these. Musicians are very important for Siggi Loch. They are carefully discovered by this music enthusiast producer, recorded and presented to world. The comfortable environment that Siggi Loch supplied to them results in perfect and spiritually complete albums.

This is certainly the most important and exciting concert in this year’s Akbank Jazz Festival for me. I am sure they will make us live an unforgettable night and they will send me a travel that I have joined so many times in this fabulous musical world. One last note is that there will be held another concert in Lütfi Kırdar just before ACT Jubilee Night in which you will experience Miles Smiles conceptual band gathered as students of Miles Davis: Larry Coryell, Darryl Jones, Joey DeFrancesco, Omar Hakim and Wallace Roney. Lütfi Kırdar will be an individual festival place within the festival on October 7th where you will see approximately ten important musician on stage in 4 hours.



http://www.youtube.com/watch?v=wLhDP0RYW6s&feature=related
http://www.youtube.com/watch?v=fWYR6fZRyww
http://www.youtube.com/watch?v=D7KXq6RJ0PA&feature=related
http://www.youtube.com/watch?v=PjcPFSXfqAQ
http://www.youtube.com/watch?v=3e5oNjTuz1o
http://www.youtube.com/watch?v=hxIuwe1mbmk
http://www.youtube.com/watch?v=dwWjBtNcdn4&feature=related
http://www.youtube.com/watch?v=83QPMamEfzI&feature=related
http://www.youtube.com/watch?v=nmTlG5xyA6Y
http://www.youtube.com/watch?v=ueHY8mwy4VE
http://www.youtube.com/watch?v=klKNLPkWp_I
http://www.youtube.com/watch?v=04j3R3sefyw
http://www.youtube.com/watch?v=kgEKIaRfRRw
http://www.youtube.com/watch?v=gRo_vzISgO0


P.S: I should remind you that you will be able to also listen to two important ACT musicians in two different concerts: Jens Thomas and Rudresh Mahanthappa in Akbank Jazz Festival. Moreover you will find the chance to listen to Jacob Karlzon (after releasing his new album More) and legendary Nils Landgren Funk Unit on November.

<!--[if !supportLineBreakNewLine]-->
<!--[endif]-->